Klassisk musikhistoria

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• medeltiden church music and world music
• medeltiden church music - religious with god’s message
• medeltiden no instruments in church - devil
• medeltiden orgel was developed and allowed in church
• medeltiden 800-1450
• medeltiden Gregorian chants written by monks
• medeltiden world music played by troubadors and gycklare
• medeltiden notes were developed (we still use them)
• medeltiden monks sang in latin
• renässansen means re-birth
• renässansen musicians fascinated by ancient art, theater and music
• renässansen more instruments used - more new and better
• renässansen viola de gamba, harpa, luta, gröhorn and blockflöjt
• renässansen started singing in canon, madrigals and polyphony
• renässansen fascinated by philosophy and poetry - started to question only using religion
• renässansen inspired by greek history and art
• renässansen churches started singing in their own language and some allowed more instruments
• barocken means crazy
• barocken more strings instruments
• barocken started making instrumental music without singing
• barocken more feelings and changes in volume and tempo (från starkt till svagt = terassdynamik)
• barocken Bach was a composer
• barocken instrumental music became equal with sung music
• barocken cembalon became a popular instrument
• wienklassicism Vienna was the center of this kind of music
• wienklassicism they moved the orchestra to the stage instead of the pit
• wienklassicism they used crescendo and dimenuendo
• wienklassicism 1750-1820
• wienklassicism the orchestra got even bigger, symfoniorkestrar bildades
• wienklassicism more people wanted to take part in konstmusik
• wienklassicism all three composers lived in Vienna
• wienklassicism trallvänliga melodier, melodierna var i fokus och repeterades ofta
• romantiken in program music they wanted to express feelings with only instrumental music
• romantiken the church and royalty lost control over music
• romantiken hela 1800-talet och en bit in på 1900-talet
• romantiken even larger orchestras som leddes av en dirigent
• romantiken inspiration from folklore, old tales and nature (naturen, litteraturen, nationalism och det övernaturliga)
• romantiken not much religious themes
• wienklassicism under …… blev musiken enklare med tydligare struktur
• romantiken denna musik var friare och mindre strikt
• barocken Johann Sebastian Bach
• barocken Antonio Vivaldi, italiensk violinist. Komponerade ”de fyra årstiderna”
• barocken Georg Friedrich Händel
• wienklassicism Ludwig van Beethoven, skrev Für Elise, bidrog till övergången till romantiken
• romantiken Alice Tegnér, svensk kompositör 1800-talet, barnvisor tex Mors lilla Olle
• wienklassicism Mozart
• wienklassicism Joseph Haydn

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